Lyssier begins with a flat sheet of metal and a cut. What emerges is a candleholder in solid metal: two parts, joined by hand until metal meets metal. An object you assemble, carry and pass on.
We design for generations, not trends. A Lyssier object holds its place. On a shelf, a table, a windowsill. In living conversation. Even in the dark. Even when no flame is lit.
The H64 is the beginning. The first object, the base form and the thought. The same principle will grow into further proportions, sizes and materials.
Two brothers, one conviction. Some objects earn their place. Most do not. Lyssier was started to close that gap. One question has driven the company since: what makes an object worth keeping? The H64 is the first answer.
Constantin drew the first version in the early 2020s. The conviction behind it is shared. The company grew from what both of them refused to compromise on. No object leaves the studio that is not made to last.
Two materials, nothing more: stainless steel and solid brass. Each chosen because it is honest. Materials that show their process, carry time and age with character.
Every object begins as a flat sheet. Water-cut with sub-millimeter precision. The surface is finished by hand, homogeneous, matte and weighty in its base state. Each piece carries a trace of its making. Barely visible. Recognisable only on close inspection.
Assembly is by hand. Two parts find each other until metal meets metal. A moment you hear and feel, and one that can be repeated every time. No screws. No tools.
Mirror finish is available exclusively on request, in a limited edition: hand-polished No. 8, the highest grade of stainless polish.
Designed in Germany, made in Austria. By fabricators who cut, assemble and hand-finish each piece to our tolerances. The name comes from light: Lys. Everything else follows from that.
The principle is flat, down to the packaging. Holder and box lie flat and join into an object of book format. Small enough to travel with. Clear enough to keep. The packaging is not waste. It is part of the object. A vessel worth holding on to.
In an age of excess, we believe in restraint. A single flame, held with intention, transforms a room. Over time, a living patina emerges. What is created in precision grows into something generational.
We do not design for trends. We design what endures.
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